Earth and Sky
By Douglas Post / Directed by André Ernotte

With Lisa Arrindell, Justin Deas, Michael Genet, Paul Kandel, Ted Marcoux, Lisa Beth Miller, Ron Nakahara, Evan Thompson, Jennifer Van Dyck

Set by William Barclay / Lighting by Phil Monat /, Costumes by Deborah Shaw / Sound by Bruce Ellman / Hair by Antonio Soddu / Production Stage Manager Crystal Huntington / Stage Manager J. Courtney Pollard / Press Representative Richard Kornberg / Casting by Meg Simon, CSA

Dedicated to Bernard Lennon.

Funded in part by a grant from AT&T. This season was supported, in part, by public funds from the New York City Department of Cultural Affairs, The New York State Council on the Arts, and the National Endowment for the Arts.

"Thoroughly engrossing. André Ernotte has directed with the right taut, tough-movie speed. The performers also do exceptionally well."
— Clive Barnes, New York Post

"Earth and Sky is a small scale genre-bender that improves in the imagination. There are nice performances by Lisa Arrindell and Michael Genet."
— Variety

"Interesting characterizations and offbeat dialogue."
— William A. Raidy, The Star-Ledger

Lake No Bottom
By Michael Weller / Directed by Carole Rothman

With Daniel Davis, Robert Knepper, Marsha Mason

Set by Adrianne Lobel / Lighting by Kevin Rigdon / Costumes by Jess Goldstein / Sound by Mark Bennett / Hair by Antonio Soddu / Production Stage Manager Pamela Edington / Stage Manager Elise-Ann Konstantin / Press Representative Richard Kornberg / Casting by Simon and Kumin

Dedicated to Dick Hummler

" Marsha Mason is a star in a star's role. Skillfully directed, stylish, effective settings."
— Edith Oliver, The New Yorker

"Carole Rothman's staging of this fluid and episodic play is swift and deft. Adrianne Lobel's settings make the most of Michael Weller's cinematic structure."
— Clive Barnes, New York Post

"Marsha Mason is commandingly sensual. There isn't anything quite like Lake No Bottom."
— Julius Novick, The New York Observer

The Good Times are Killing Me
By Lynda Barry / Directed by Mark Brokaw

With Peter Appel, Ray DeMattis, Kathleen Dennehy, Ellia English, Holly Felton, Lauren Gaffney, Angela Goethals, John Lathan, Brandon Mayo, Jennie Moreau, Wendell Pierce, Kim Staunton, Ruth Williamson, Chandra Wilson

Set by Rusty Smith / Lighting by Don Holder / Costumes by Ellen McCartney / Sound by Janet Kalas / Hair by Antonio Soddu / Production Stage Manager James Fitzsimmons/ Stage Manager Lori Lundquist / Script Consultant Erin Sanders / Press Representative Richard Kornberg / Casting by Meg Simon, CSA

Made possible through a major grant from the Lila Wallace-Reader's Digest Fund.

"Mark Brokaw's staging is swift and full of energy, but never rushed. I was fascinated, and delighted, by the unassuming, sensitive, scrupulous skill with which Lynda Barry, Mr. Brokaw, and their colleagues have found so much that matters in an ordinary childhood."
— Julius Novick, The New York Observer

"The Good Times are Killing Me is so endearing, and so full of telling moments in both the script and Mark Brokaw's staging. Brilliant and often very funny."
— Russel Feingold, The Village Voice

"What makes The Good Times are Killing Me so enjoyable are the performances by a large and irresistible cast. From beginning to end, Angela Goethals, a phenomenally disarming actress, has the audience spellbound."
— Howard Kissel, Daily News

"In The Good Times are Killing Me, Lynda Barry has created, hands down, the most enchanting heroine of the Off Broadway season, beautifully portrayed by Angela Goethals. Perfection is rare in the theatre, and should be cherished."
— John Simon, The New Yorker

"The 14-member cast achieve that rare event in the theatre: an ensemble wherein each member shines, but does not upstage any of the others."
— David Sheward, Back Stage

Home and Away
Written and performed by Kevin Kling / Directed by David Esbjornson

Set by David Esbjornson / Lighting by Frances Aronson / Sound by Mark Bennett / Hair by Antonio Soddu / Production Stage Manager Crystal Huntington / Press Representative Richard Kornberg

Originally produced by the Seattle Repertory Theatre, Seattle, WA.

"Blazing fun. Kevin Kling tells his tales giving his words an extra twist, like twirling a mustache. He has sparkle in his eyes and springiness in his feet; no dog's tail wags more merrily than Kling's tongue in the ecstasy of communication."
— John Simon, New York Magazine

"Kevin Kling's idiom is so rich and his sensibility so generous and yet askew, his evening of personal tales proves beguiling and moving"
— The Village Voice

"Gripping autobiographical monologue. A funny, finely honed solo theater piece."
— Stephen Holden, The New York Times

"The show's a hit and critics like it too. Manhattan's mad for a Minnesotan monologist. Kling strikes a familiar chord in his listeners; they feel as if they are watching themselves."
— Chris Holbrook, TheaterWeek