Sin
By Wendy MacLeod / Directed by David Petrarca

With Tom Aulino, Steve Carell, Kelly Coffield, John Elsen, Jeffrey Hutchinson, Camryn Manheim, Julio Monge, John Slattery

Set by Scott Bradley, Lighting by Robert Christen, Costumes by Allison Reeds, Sound and Original Music by Rob Milburn, Production Stage Manager Nancy Harrington, Stage Manager Elaine Bayless, Casting by Meg Simon, Associate Producer Carol Fishman, Press Representative Richard Kornberg

Supported in part by public funds from the City of New York Department of Cultural Affairs.

Originally produced by The Goodman Theatre, Chicago, October 1994.

"MacLeod is a quick sketch artist of the abyss."
— Keith Joseph, Cleveland Scene

"MacLeod, a witty writer, can conjure up recognizable characters and develops a plot with a steadily deepening tone."
— Marianne Evett, Plain Dealer

"MacLeod's quick mind and sharp tongue...create scene after scene of biting humor and sharp insight. Devilishly funny."
—The Chicago Tribune

Oblivion Postponed
By Ron Nyswaner / Directed by Nicholas Martin

With David Aaron Baker, Tony Gillan, John Glover, Mary Beth Hurt, James Rebhorn

Set by Allen Moyer, Lighting by Michael Lincoln, Costumes by Michael Krass, Sound by Randy Freed, Production Stage Manager Elise-Ann Konstantin, Stage Manager Rebecca C. Monroe, Casting by Stephanie Klapper, Associate Producer Carol Fishman, Press Representative Richard Kornberg

Originally produced by Bay Street Theatre Festival, July 1994. Produced by special arrangement with Hal Luftig, Brent Peek, Richard Samson and Elizabeth Williams.

Supported in part by public funds from the City of New York Department of Cultural Affairs.

"Nyswaner's writing is clever and his characters are both devastating and hilarious. The play zips along efficiently, due in no small part to the superior cast."
— Sam Whitehead, Time Out New York

"Slick and audience-winning. Mr. Nyswaner has the talent to catch an audience on a gut level, the instinct to draw compassion out of contrivance, the deftness to reverse stereotypes by digging down for complicated contradictory responses and the sleight-of- hand to play tricks with an audience's predispositions and assumptions."
— Alvin Klein, The New York Times

Dark Rapture
By Eric Overmyer / Directed by Scott Ellis

With Jennifer Esposito, Scott Glenn, Bruce MacVittie, Conan McCarty, Ellen McElduff, Dan Moran, Joseph Siravo, Derek Smith, Marisa Tomei

Set by Santo Loquasto, Lighting by Natasha Katz, Costumes by Jennifer von Mayrhauser, Sound by Tony Meola, Original Music by Jeremy Grody, Fight Director David Leong, Casting by Johnson-Liff Associates, Press Representative Richard Kornberg, Associate Producer Carol Fishman, Production Stage Manager Elise-Ann Konstantin, Stage Manager Delicia Turner

This production was sponsored by AT&T. Additional funding provided by the Axe-Houghton Foundation.

"Marisa Tomei has a big, riveting presence. When she walks with purpose, you don't need a close-up of her feet to know that Julia's stiletto heels are dangerous. Ellen McDuff is terrifically attractive as Max. Dan Moran is excellent. There's not a weak performance in the cast."
— Vincent Canby, The New York Times

"The production has an exceptional cast under the direction of Scott Ellis. Marisa Tomei exhibits a great gift for comic insolence and raw sexiness."
— David Patrick Stearns, USA Today

"Dazzling...impeccable! Eric Overmyer operates with total and daring confidence."
—Clive Barnes, New York Post

"Scott Ellis has staged this with an impressive understanding of the play's rather subtle tone of voice, and with a craftiness and professionalism that can only be called beautiful."
— New York Law Journal

Aliens in America
Written and performed by Sandra Tsing Loh / Directed by Steve Kaplan

Lighting by Traci Klainer-McDonnell, Sound by Aural Fixation, Set by Lauren Helpern, Production Stage Manager Delicia Turner, Associate Producer Carol Fishman, Press Representative Richard Kornberg

"Director Steve Kaplan clearly has a knack for this kind of comedy, and Sandra Tsing Loh, who writes with a sharp ear for dialogue, delivers the goods admirably. One need not possess Loh's unique gene structure to clearly see all our families in her wonderfully observant performance piece."
—Harry Forbes, Time Out New York

"Writer and performer Sandra Tsing Loh gives a well-crafted performance and finely spun text."
— Howard Waxman, Variety

"In Aliens in America,Sandra Tsing Loh's wistful, comic solo piece, she sustains the electrically wide-eyed gaze of someone watching a car crash."
— Ben Brantley, The New York Times