A Madhouse In Goa
By Martin Sherman / Directed by Nicholas Martin

With Denise Faye, Daniel Gerroll, Judith Ivey, Mark Kevin Lewis, Rick Stear, Russ Thacker

Sets by James Noone, Costumes by Michael Krass, Lighting by Frances Aronson, Sound by Kurt B. Kellenberger, Production Stage Manager Leila Knox, Stage Manager Delicia Turner, Press Representative Richard Kornberg, Casting by Johnson-Liff Associates

Originally produced at the Lyric Hammersmith Theatre in London on August 28, 1989.

"Judith Ivey delivers a tour de force performance."
— Jacques le Sourd, Gannett Newspapers

"A fascinating reflection on politics, art and truth."
— Fintan O'Toole, Daily News

"Pushy, drawling, grating, tangy, challenging, chastened, and laced with grief, Judith Ivey runs away with the first act. Martin Sherman has given this character an irreverent wit and gift for truth telling that wash over us like a refreshing wave."
— Francine Russo, The Village Voice

Flawless cast, deft direction."
— Sam Whitehead, Time Out New York

2 Pianos, 4 Hands
By Ted Dykstra and Richard Greenblatt / Directed by Gloria Muzio

At the Promenade Theatre

"A hot ticket. Performers Ted Dykstra and Richard Greenblatt tickle both the ivories and considerable laughter in their delightful semi-autobiographical comedy about growing up with classical music. A major coast-to-coast success in Canada, their irresistible two-man show deserves to be a big hit here, too. Crisply directed by Gloria Muzio, and enhanced by sensitive lighting from Tharon Musser, Two Pianos, Four Hands is performed with style and no small amount of grace."
— Michael Sommers, The Star-Ledger

Ricky Jay & His 52 Assistants
Written and performed by Ricky Jay / Directed by David Mamet

Set by Kevin Rigdon, Lighting by Jules Fisher, Production Stage Manager Matthew Silver, Press Representative Richard Kornberg, Costume by Alan Bilzerian

Sponsored in part by AT&T Foundation.

"Ricky Jay is a genius. A glorious and grand illusion."
— Clive Barnes, New York Post

"Enthralling. Tickets to this already sold-out show have become the most coveted in town. One has the feeling of being less in a theater than in the apartment of a new, mildly eccentric friend who has brought you up to demonstrate aspects of a beloved hobby. The wall between performer and audience seems truly nonexistent."
— Ben Brantley, The New York Times

"Dextrous, funny and entirely elegent. If wonder is truly the beginning of wisdom, then Ricky Jay & His 52 Assistants is the smartest show in town."
— Jay Cocks, Time Magazine

"To say Ricky Jay has an 'ability to control cards,' …is like saying Horowitz had a knack for pressing piano keys real fast or Baryshnikov has an ability to control his body. Virtuosity - the general article - goes so far beyond mechanics and nerve connections that technical considerations are inseparable from those of beauty."
— Linda Winer, Newsday

Bad Sex With Bud Kemp
Written and performed by Sandra Tsing Loh / Directed by David Schweizer

Sets and Lighting by Kevin Adams, Costumes by Peter Cohen, Sound by Robert Murphy, Production Stage Manager Rebecca C. Monroe, Press Representative Richard Kornberg

This production was part of The Harold and Mimi Steinberg Charitable Trust New Play Development Program for the Second Stage Theatre.

Support for this production was provided by generous grants from Axe-Houghton Foundation and The Educational Foundation.

"A talented writer and a powerhouse performer."
— Sam Whitehead, Time Out New York

"Loh has an engaging presence. She is attractive, personable and expressively witty. Her big-city savvy says it all."
— Robert L. Daniels, Variety

"Loh is an aggressively funny chronicler of the wounded pride. Her phrases are frequently delicious, and her stories so well observed that at times they are riotously funny."
— Laurie Winer, Los Angeles Times