PERFORMANCE DATES
NOW PLAYING
WHERE
RUN TIME
1 hour 45 minutes, no intermission
MOTHER MERCH
Get your official Mother Play cap â available pre-show in the Hayes Theater lower lobby
*Across the Boards - Join members of the creative team for a discussion following the performance.
(i) Insider's Night - An exclusive event for 2ST Subscribers. Join us one hour before for wine, hors dâoeuvres, and intimate discussion with one of the showâs designers.
**Open Caption
***Audio Described
CELIA KEENAN-BOLGER
CELIA KEENAN-BOLGER returns to Second Stage Theater where she appeared in A Parellelogram, Bachelorette, The 25th Annual Putnam County Spelling Bee, and Little Fish. Other credits - Broadway: To Kill a Mockingbird, Glass Menagerie, The Cherry Orchard, Peter and The Starcatcher, Les MisĂ©rables, The 25th Annual Putnam County Spelling Bee. Off-Broadway: The Oldest Boy, Merrily We Roll Along, A Small Fire. Select Film/TV: âThe Gilded Age,â âBull,â âLouie,â âThe Good Wife,â âNurse Jackie,â âGood Behavior,â
âElementary,â Diane, The Visit, Breakable You. Tony Award, Outer Critics Circle, three Drama Desk Award wins. Member of The Actors Center. NYCLU Michael Friedman Freedom Award recipient. UMichigan graduate. Training to be an end-of-life doula.Â
JESSICA LANGE
JESSICA LANGE. Acclaimed as one of the greatest actresses of her generation, Jessica Lange has dazzled the screen with over 30 credits to her name. Lange has won a Tony Award, two Academy Awards, three Emmys, five Golden Globes, and one SAG Award. On Broadway, she received the Tony, Drama Desk, and Outer Critics Circle awards for her performance as Mary Tyrone in A Long Dayâs Journey into Night, a role she also performed in the West End. She made her Broadway debut in A Streetcar Named Desire and was also seen starring in The Glass Menagerie. Lange stared in the television series âAmerican Horror Story,â as well as âGrey Gardens,â âFeud: Bette and Joan,â and âThe Politician.â Her films include Blue Sky, Frances, The Postman Always Rings Twice, Country, Rob Roy, Cape Fear, Tootsie, Music Box, and Sweet Dreams.
JIM PARSONS
Jim Parsons continues to skillfully navigate the entertainment industry as an award-winning actor and producer.
He will soon begin production on Just by Looking at Him. The film is an adaptation of Ryan OâConnellâs novel of the same name. Parsons will star alongside OâConnell in the comedy.
In December 2022, Parsons starred alongside Ben Aldridge in Focus Featuresâ Spoiler Alert based on Michael Ausielloâs acclaimed memoir of the same title. Parsons' Thatâs Wonderful Productions produced the film, which was nominated for Outstanding Film â Wide Release at the GLAAD Media Awards.
He recently led the Off-Broadway revival of A Man of No Importance, the 2002 musical featuring a book by Terrence McNally, music by Stephen Flaherty, and lyrics by Lynn Ahrens for The Classic Stage Company. He received a Lucille Lortel Award nomination for his performance and the show was nominated for Drama League, Drama Desk and Outer Critics Circle Awards. In 2020, he starred in the Netflix movie The Boys in the Band. He previously starred in the Broadway production of the show as well. Parsons starred on Broadway in An Act of God, written by 13-time Emmy Award winner David Javerbaum and directed by Joe Mantello. Parsons starred in the Broadway revival of Mary Chaseâs Pulitzer Prize winning play Harvey. He received a Theatre World Award and Emmy nomination for his debut Broadway performance as âTommy Boatwrightâ in The Normal Heart, starring opposite Ellen Barkin, John Benjamin Hickey, and Joe Mantello. The Normal Heart won a Tony Award for âBest Revival of a Playâ and was presented with the Drama Desk Award for âOutstanding Revival of a Playâ and âOutstanding Ensemble Performance.â Parsonsâ other stage performances include, The Castle, The Countess as well as The Tempest and As You Like It.
Parsons' breakout role was that of Sheldon Cooper from the CBS smash hit The Big Bang Theory. The show was the #1 comedy in America and in many parts of the world. The Big Bang Theory also made history as the longest running multi-camera sitcom ever with 279 shows.
BY PAULA VOGEL
Paula Vogel is a Pulitzer Prize-winning playwright whose plays include Indecent (Tony Award nomination for Best Play), How I Learned to Drive (Pulitzer Prize for Drama, Tony Award nomination, the Lortel Prize, OBIE Award, Drama Desk Award, Outer Critics Circle and New York Drama Critics Awards for Best Play), The Long Christmas Ride Home, The Mineola Twins, The Baltimore Waltz, HotânâThrobbing, Desdemona, And Baby Makes Seven, The Oldest Profession and A Civil War Christmas. In June 2020, she founded Paula Vogelâs Bard at the Gate, a uniquely curated virtual reading series designed to become a widely accessible platform for powerful, overlooked plays by BIPOC, female, LGBTQIA+, and disabled artists. Lifetime achievement awards include American Theatre Hall of Fame Award, the Obie Award, and NY Drama Critics Circle Award. She is honored to have awards dedicated to emerging playwrights in her name: The American College Theatre Festivalâs Paula Vogel Award in Playwriting, and the Paula Vogel Award given annually by the Vineyard Theatre. She was the 2019 inaugural UCLA School of Theater, Film and Television Hearst Theater Lab Initiative Distinguished Playwright-in-Residence. Her plays are published in six volumes by TCG Press and her memoir will be published by Penguin Press. She teaches playwriting workshops throughout the United States and abroad. www.paulavogelplaywright.com
DIRECTED BYÂ TINA LANDAU
Tina Landau is a writer and director whose work has been produced on Broadway and Off, internationally and regionally, and most frequently at Steppenwolf Theatre in Chicago where she is an ensemble member. Known for her original, large-scale musical and ensemble work, Tinaâs been recognized by the Tony Awards, Drama Desks, Drama League, Outer Critics, Lucille Lortel, and Obies among others. Her Broadway credits include The Spongebob Musical (also conceiver; Drama Desk & Outer Critics Circle winner Best Direction and Best Musical, 12 Tony Award noms), Tracy Lettsâ Superior Donuts, and the revival of Bells are Ringing (Tony noms.) Tina both wrote and directed the plays Ms. Blank for President (with Tarell McCraney, Steppenwolf), Space (Steppenwolf, The Taper, The Public NYC), Beauty (La Jolla Playhouse), Stonewall: Night Variations (En Garde Arts), and the musicals Floyd Collins (composer Adam Guettel) and Dream True (composer Ricky Ian Gordon). Off-Broadway, sheâs directed premieres including three plays of Tarell McCraney, Head of Passes (the Public, also Steppenwolf and Taper), In the Red and Brown Water (Public, also Alliance and McCarter) and Wig Out! (Vineyard), as well as Bill Irwin and David Shinerâs Old Hats (Signature), Paula Vogelâs A Civil War Christmas (NYTW), and many of the plays of Chuck Mee. As an ensemble member at Steppenwolf Theatre in Chicago, her over 20 productions include McCraneyâs The Brother/Sister Plays, The Tempest, and The Time of Your Life (also Seattle Rep, ACT). She was an Artist-in-Residence at Little Island in NYC, and is the co-author, with Anne Bogart, of The Viewpoints Book. Tina recently opened A Transparent Musical at Center Theater Group in Los Angeles, and her new musical Redwood (book and co-lyrics, with composer Kate Diaz) will premiere next season at La Jolla Playhouse, starring Idina Menzel.